Patrons and artists
Poznań’s architectural development would not be possible without sponsors. These were willing to pay huge amounts of money to fulfil both their own ambition as well as the aspirations of their social class.
When it comes to architecture, the main patron in this field in the Middle Ages was the Church. In the 16th century it was closely followed by the gentry from the Wielkopolska Region and the wealthy townspeople. During the Baroque era townspeople became poorer, whereas the gentry preferred to spend their time outside the city. Thus, rich religious orders became the main patrons at that time. During the Partitions, it was the Prussian city authorities as well as the court who became investors. In response to the Prussian vision of Poznań, local Polish patriots and social activists put up Polish buildings.
Although the motivations differed from patron to patron, they all needed exceptional architects. Poznań merchants, the clergy as well as students from the nobility marvelled at grand buildings they saw during their European travels. They had a chance to bring the beauty they saw in them to their own city thanks to the cooperation with foreign artists.
And these were attracted to Poznań by the promise of income, fame and opportunity to hone their skills. They often decided to stay in Poznań for good, started families and received further commissions. Artists could also draw benefits from the fame of their Poznań patrons. Both not only made each other shine, but the city as well.
Poznań parish church, photo: Zbigniew Szmidt
